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Female Characters and the Relationship of Women to Children in Roald Dahl's Children's Fiction
BUBLOVÁ, Kateřina
The aim of the Bachelor thesis is a literary analysis of the characteristics of female characters in Roald Dahl's work for children's readers. Roald Dahl became known as the author of grotesque prose for adults, and his work for children is characterized by black humour, hyperbole, grotesque elements and some controversy of his works (The Witches, George's Marvellous Medicine, etc). The work will firstly introduce Roald Dahl and his work in different categories of readers (children and adult readers) and then will deal with the topic of the author's anti-feminist approach to female characters, especially in Dahl's prose The Witches. The theoretical basis of the work will compare the concept of female characters in the classic fairy tale by Grimm Brothers (Bettelheim) and the characteristics of female characters in Dahl's work for children's readers. The practical part of the work will further assess the influence of role models and model characters on the child reader in Dahl's work for children, including possible controversies in the reading and interpretation. The role of humour, hyperbole and grotesque will be the subject of final analysis within my research as part of the Bachelor thesis.
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Ernest Hemingway's Fiesta, Francis Scott Fitzgerald's The Great Gatsby and the Development of Femininity and Masculinity in the 1920s
KREJZLOVÁ, Anna
The main aim of this thesis is the analysis of the characters from Francis Scott Fitzgerald's The Great Gatsby (1925) and Ernest Hemingway's Fiesta (1926) with a focus on the female protagonists. To fully understand the characters, the work first concentrates on the historical background. The theory primarily centres on the American society living in the 1920s, discusses the term The Lost Generation, provides an overview of the changes the women experienced in relation to the term a New Woman, and examines the real-life models that inspired both authors in creating the female characters. Subsequently, the work analyses female characters according to several themes: social standing, money, appearance, morals, relationships, and power. After the analysis, the problem of masculinity is discussed. At first, the thesis describes the changes in the perception of manliness from the 19th to the beginning of the 20th century and then, the male characters and their view on masculinity is examined in relation to the theoretical background.
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Representation of female characters in videogames inspired by the Victorian era on the example of Dishonored and Dishonored 2
Smoliankina, Sofia ; Šindelář, Jakub (advisor) ; Matějka, Ondřej (referee)
In my thesis, I study the representation of female characters in videogames inspired by the Victorian era. Videogames can be considered a form of audiovisual media wherein it is possible to depict both the historical period and the perspectives of contemporary society on it. For the analysis, I use literary sources on the subjects of neo-Victorian era, the development of gaming community, as well as the position of women in it. Using this theory and relevant context, I analyse the female characters in Dishonored (2012) and Dishonored 2 (2016). I focus on the role that the main and secondary female characters have played in the storyline, how their position has changed within the franchise. The analysis is carried out in the context of the changes in the modern gaming community, it also analyses how conflicts within it (i.e. the "GamerGate" incident) could contribute to the changes in the video games themselves. The purpose of this thesis is to show how norms and values at the time when the historical media representation was created have an impact on the portrayal of the past. Using the concept of homosocial relationships, which characterizes the "closed male world" of the Victorian era, I investigate how the role in the storyline and the number of female characters has changed in Dishonored 2...
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Comparison of profesional reviews and user comments on Metacritic in the case of The Last of Us Part II
Kafka, Pavel ; Švelch, Jaroslav (advisor) ; Houška, Jan (referee)
The subject of this thesis is to analyze and compare professional reviews and user comments on the aggregator Metacritic in the case of The Last of Us Part II. The goal of this thesis is to find out what distinguishes professional video game reviews from user comments, what dominant themes they contain and which of them play a major role in the final evaluation, on the example of The Last of Us Part II. First four chapters of the theoretical part of this thesis deal with the theoretical basis of the areas of game review and its function, review bombing, identification with protagonist and representation of female characters. The theoretical part ends with the introduction of The Last of Us Part II and the aggregator Metacritic. The research part contains a total of two surveys. The first two chapters are devoted to the introduction of methodologies of individual surveys and the definition of their research samples. The first research uses quantitative methods to describe the course of the user score over time. The second research uses qualitative thematic analysis to identify dominant themes in 10 professional reviews and 100 user comments. The dominant themes of these two research samples and their impact on the final evaluation are then compared with each other. The thesis ends with a discussion,...
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Parallelism in the Poetics of Juan Rulfo and María Luisa Bombal
Norocká, Monika ; Poláková, Dora (advisor) ; Housková, Anna (referee)
The aim of this Diploma Thesis is to bring attention to the resemblance between the work of one of the most important Hispanic American authors of 20th century, the Mexican Juan Rulfo, and his less well-known Chilean colleague, María Luisa Bombal. Even though the work of these writers has often been associated with the beginnings of the so-called Magical Realism, so far literary critics have not studied the parallelism in their poetics in detail. This work observes the deviation of these authors from the type of literature dominant in their time, and their effort to renovate it. Furthermore, it concerns the similarity in the approach to death in their work; it pays attention to the influence of the Nordic literature on their literary production. Another part of this work is dedicated to the parallels between the character of Susana San Juan from Rulfoˈs Pedro Páramo and Bombalˈs female characters. In addition to that, the work reflects the personal relationship between the authors in question.
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Wives and Whores: Female characters in the plays of Harold Pinter
Schormová, Františka ; Wallace, Clare (advisor) ; Pilný, Ondřej (referee)
This BA thesis discusses four female characters from three plays of the British dramatist Harold Pinter, placing them in context of depicting 'The Femine.' Pinter's female characters must not only be seen in the tradition of stereotypical depicting women, but also in context of the patriarchal concepts they have to face - the male dominance, male gaze and male bonding. The second chapter provides background for discussing female characters - reasons why to do so are provided and the idea of woman as 'the Other' is introduced. This concept led to the stereotyping of women and subsequently to their misrepresentation in fiction. The basic dichotomy of 'wife/whore' is investigated. The chapter also examines the specifics of representation on the stage with references to the development of drama. It concludes with placing Pinter within this context. The third chapter contains close reading of three Pinter's plays - The Homecoming, Old Times and Betrayal. The roles of female characters are examined in relationship to the power structures they are trying to dismantle. The chapter argues that even if they manage it, the victory does not challenge the patriarchal structure as such. The fourth chapter is focused on realisation of Pinter on Czech stages. It provides the history of the stagings, focusing...
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Gender in compulsory reading - Old greek myths and legends: gender analysis of the writing
Zochová, Iveta ; Jiroutová Kynčlová, Tereza (advisor) ; Knotková - Čapková, Blanka (referee)
This thesis Gender in compulsory reading - Old Greek Myths and Legends: Gender analysis of the writing deals with literary representation of gender issues in mentioned writing, written by Eduard Petiška. The very analysis is based on analysing of gender topics and issues we are interested in and focused on. These topics are compared and showed using examples from particular myths and legend. The question whether these topics are influenced by patriarchal order in the society is the crucial for this thesis. Despite the variability of Petiška's writing, which is necessarily caused by variations of ancient and continuously construated stories; some patterns and systems are there to be found and explored by contemporary gender theories, mostly by feministic literature criticism. In this thesis the method of resisting reading according to Judith Fetterley is used. The deconstruction of the text and its hidden values which are based on male domination and the reconstruction of it in order to show the new perspective at the same moment are the main goals of resisting reading. The characters from the legends are used in context of archetypal criticism method. Considering the literature-critical perspective, the method of close reading is chosen. The question of relations and using of power, considering...
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Female characters and roles in the German-Turkisch literature
Prášilová, Dana ; Weinberg, Manfred (advisor) ; Zbytovský, Štěpán (referee)
Subject of the present thesis is an analysis of the role of women in German-Turkish literature at the example of two novels of Emine Sevgi Özdamar and Selim Özdoğan. At first, the thesis gives an overview of the history of the Turkish immigrants in Germany. Subsequently, the term of migrant literature is explained. These explanations are followed by a portrait of the authors and an analysis of their specific way of writing. Then the role of women in islamic culture is explained. Afterwards, the role of women in the novels "Life Is a Caravanserai: Has Two Doors I Came in One I Went Out the Other" and "The Blacksmith's Daughter" is analyzed. The thesis concludes with a comparison of the novels and a summary of the results of the analysis.
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Gender analysis of chosen novels of Miloš Urban
Husáková, Martina ; Knotková - Čapková, Blanka (advisor) ; Matonoha, Jan (referee)
This diploma thesis A Gender Analysis of Selected Novels of Miloš Urban researches two concrete literary texts, novels Sedmikostelí and Lord Mord, which are analysed from gender perspective. By using two methods, feminist "resisting reading" and discursive analysis, there are uncovered various ways of female's characters construction, which are put in the social and cultural context. Theoretically the work is patterned on Judith Fetterley's concept, which was created during second wave of feminism, and it is connected to new poststructuralist and deconstructivist approaches. In this theses literature is perceived as space of impressing and encountering different discourses. Senses, categories and relations, incuding gender relations, are deconstructed in this space. This theses's core is the analysis of different categories and forms of femininity, which are reproduced in Urban's texts. It tries to show the possibility to read literary text "against the hair" and to not succumb to its interpellations. In this way it stresses personality of reading individual and his/her ability to complete/reshape text during every single process of reading and to produce new senses and categories. Keywords: feminism, gender analysis, Lord Mord, Sedmikostelí, Urban Miloš, resisting reading, women characters
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